April 29 – May 29, 2016

Reception: Friday, April 29, 6-9

The Parlour Bushwick is pleased to present “Meddwl”, featuring work by Jonathan Cowan, Christopher Manning, Jessica Langley, and Christopher Dunlap

Taking a reflective approach to image-making the artists in the exhibition entitled “Meddwl”; a Gaelic term for thinking, create work that calls for a contemplative gaze. Each coming from a distinct working process whether it is a bonding of two separate art practices, repetition of shape and color, or cataloging and manipulating that which they see in nature their process allows them to visualize and come to understand their relationship to the natural world. Through metaphor, memory, and daily life they create a visual experience that takes time to process.… Read more here


Jon Cowan “Void In a Rock”, Solvent transfer and cotton thread on canvas 10"x13", 2015

Jonathan Cowan
“Void In a Rock”, Solvent transfer and cotton thread on canvas
10″x13″, 2015


Christopher Dunlap

Untitled, Oil on canvas, 44.5″x 37″, 2016

Jessica Langley, “Possible Object”: Ind O & w/c on ink jet. 36” x 50”, 2016

Jessica Langley,
“Possible Object”: Ind O & w/c on ink jet. 36” x 50”, 2016

Christopher E. Manning Mixed media on Polaroid, 4.25 x 3.5", 2012-2016

Christopher E. Manning
Mixed media on Polaroid, 4.25 x 3.5″, 2012-2016

Read more here

Make it Real

Make it Real

The work in this exhibition blurs the definitions of Realist and Representational art. While the artists are making work based on observing what they see, their work is not specifically about rendering for the sake of rendering or mastering a technique. What makes their imagery resonate is how their ironic humor, unique use of materials, and commitment to subject matter draws the viewer into their work.

Hilary Doyle paints the people she observes around her. Her inquisitive yet analytical approach towards materials creates innovative portraits that draw attention to abstraction, surface, and an awkward humanism.

Amy Hill paints portraits in a highly stylized manner that evokes different art historical genres and styles such as the Rembrandtesque images of her heavy metal musicians or painting modern day hipsters in a manner reminiscent of the Renaissance.… Read more here

Make It Real


“Make it Real”

Amy Hill

Man in Motorhead Shirt, Oil on Wood, 9”x12”, 2005


Hilary Doyle

Watching, Acrylic on Canvas, 17” x 14”, 2015

kazumi copy 2

 Kazumi Tanaka

 Instrument used in video piece “Messenger” (a work in progress), Ground hog Scull, wood, metal string, mother pearl, old piano key, brass, 7 ½” x 2 ½” x 1 ¼”, 2016



Yoichiro Yoda

“Desert Plains”, oil on canvas, 30″ x 40″, 2012


 … Read more here

The Hand that Creates the I

The Hand that Creates the I

Symbols, metaphors, and physical size are a few ways that the artists in “The Hand that Creates the I” reveal a human presence in their work.

Carol Bruns builds her abstracted forms out of wire, plaster, and paper. Grounded in the human form her larger than life pieces while initially made to be cast in bronze become entities unto themselves. Painted and colored they are at once symbols and expressions of the human

Erika Ranee does large abstract paintings. Ranee brings a physicality to her work through the process of pouring thin layers of paint and simultaneously lifting and turning the paintings to change the paints course.… Read more here